5e Biennale Internationale du Pastel des Monts du Lyonnais
In 2017, Horizon Pastel will present its 5th International Pastel Biennial and the Pastel Society of Eastern Canada will be an Exceptional Guest.
Pastel Toujours 2017
Our 20th Annual Members' Choice Exhibition will take place at Maison & Jardins Antoine-Lacombe, at St-Charles-Borromée from March 30th to April 23rd, 2017. More details on the event's page.
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Our Master Pastellist Bill Hosner is featured in an article on Outdoor Painter.
Ann Rochefort's painting, 'Red and Green' was accepted into the 29th IAPS Online Exhibition that is presently on exhibition.
"Le lac initiatique" by Danielle Richard (M.P), has been selected by the BUTLER INSTITUTE OF AMERICAN ART, Youngston, Ohio. USA. December 18th to February 19th 2017.
Storing your pastels makes you roar? "L'Oiseau Rouge" cases are made by Sylvie Cardinal, a pastellist/illustrator mec.Come on November 6th, at Galerie 203. You'll roar of pleasure! http://valisesloiseaurouge.weebly.com
"Soleils Verts", from our master pastellist Danielle Richard, has been awarded an Honorable Mention in the Pastel 100, 2016, Pastel Journal, US. See the complete list where we can also see that two other PSEC members have been honoured: Mélissa Breault and Alain Dansereau. Congratulations!
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Pastel sticks or crayons consist of pure powdered pigment combined with a binder. The exact composition and characteristics of an individual pastel stick depends on the type of pastel and the type and amount of binder used. It also varies by individual manufacturer.
Dry pastels have historically used binders such as arabic and tragacanth gum. Methyl cellulose was introduced as a binder in the twentieth century. Often a chalk or gypsum component is present. They are available in varying degrees of hardness, the softer varieties being wrapped in paper.
Dry pastel as a medium can be subdivided as follows:
Soft pastels: This is the most widely used form of pastel. The sticks have a higher portion of pigment and less binder, resulting in brighter colors. The drawing can be readily smudged and blended, but it results in a higher proportion of dust. Finished drawings made with soft pastels require protecting, either framing under glass or spraying with a fixative to prevent smudging.
Hard pastels: These have a higher portion of binder and less pigment, producing a sharp drawing material that is useful for fine details. These can be used with other pastels for drawing outlines and adding accents. However the colors are less brilliant than with soft pastels.
Pastel pencils: These are pencils with a pastel lead. They are useful for adding fine details.
In addition, new types of pastels have been produced:
Oil pastels: These have a soft, buttery consistency and intense colors. They are slightly more difficult to blend than soft pastels, but do not require a fixative.
Water-soluble pastels: These are similar to soft pastels, but contain a water-soluble component, such as glycol. This allows the colors to be thinned out using a water wash. There has been some debate within art societies as to what exactly counts as a pastel. The Pastel Society within the UK (the oldest pastel society) states the following are acceptable mediums for its exhibitions: "Pastels, including Oil pastel, Charcoal, Pencil, Conté, Sanguine, or any dry media". The emphasis appears to be on "dry media" but the debate continues.
Adapted from Wikipedia